Shortly after publishing Inca I wrote a blog post explaining what led me to write about that empire and its people. A year later when I published Zulu I blogged about what drew me to the story of that kingdom and its people. I suppose now that Beginning is in the process of going live across the various regional Amazon websites, the time has come to talk about why I wrote this book.
Unlike Inca and Zulu, where my interest was first sparked by looking for more information about a civilization I did not know much about, Beginning began with me being self-conscious about my work. I suspect most writers after they have written a couple of books start worrying their stuff is all of a type, and maybe not the type they would have chosen if they had to do it over again. I have written two lengthy novels about cultures that are relatively little-known to my friends and family. If I wanted to write something much shorter with a broader appeal, what would that look like?
Inca and Zulu, much as I love them, ask for a lot of a reader’s time and attention. You cannot do a deep dive into the history and culture of people who most people are unfamiliar with while worrying about word count. They are by necessity long and dense. If I was free to write something where I knew my readers would understand everything from page one, what would I write about?
I have come up with half a dozen answers to that question so far, and most of them exist as a hundred pages or so of abandoned first draft material. One of the primary hurdles about completing a novel –long or short—is that you have to be excited about the subject matter and the plot and the characters for months and probably years of research and writing before you have a finished first draft to start editing and polishing. There were a lot of false starts as I searched for something I was sure I would finish. For maybe two years I despaired of finishing a third novel for want of an idea I knew would hold my interest.
I firmly believe writers need to read widely and deeply to develop their own craft. One of the most flattering things I have seen in the reviews for Inca is when someone says they can see some of Gary Jennings’ Aztec in my own work. Zulu was very much inspired by the early few decades of Wilbur Smith’s work. So who should I take as my muse for my third novel? Who writes the shorter novels that I adore?
I cast about through a few options, but again and again I kept coming back to Kurt Vonnegut.
Let me say categorically that Beginning is not a Kurt Vonnegut-esque novel, much to my regret. I lack his brevity and his wit. I am just telling the story of how I got started, and I started with Vonnegut.